Giallo - Wikipedia. This article is about the literature and film genre. For the 2. 00. 9 Dario Argento film, see Giallo (film). For the Italian wine grape, see Verdicchio. Giallo (Italian pronunciation: .
In Italy, the term simply denotes thrillers, typically of the crime fiction, mystery, and horror subgenres, regardless of the country of origin. In English- speaking countries, however, the term .
The genre began in the mid- to- late 1. It has been considered to be a predecessor to and significant influence on, the later American slasher film genre.
Benedizione mortale 1981 w.craven beware. Tre colori - Film rosso (1994) FullHD 1080p VU 21.6 GB AC3 ITA (AUDIO MUX DA DVD). Love Story (1970) HD 720p 6.55. Top Gun - Edizione Speciale (1986) HD 720p DTS. Babbo bastardo - Versione Integrale non. 1994-Love is a gun - amore mortale (Poliziesco) 1992-Weekend senza il morto (Only you) (Commedia). 1988-Spellbinder (Drammatico) 1987-Amore di strega (Commedia) 1986-Space camp (Avventura) 1986-Space camp - gravita' zero. Christine Kaufmann, Actress. 1994 Verliebt, verlobt, verheiratet (TV Series). Amore mortale: Titolo Originale: Love Is a Gun: Categorie. Lee Ermey: Registi: Anno: 1994: Minuti: 0: Nazione: U.S.A. Copyright: Non Disponibile: Trama e Recensione : Amore mortale La trama di Amore mortale.
The word . Note the characteristic yellow background and the figure of a masked killer. The term giallo derives from a series of crime- mystery pulp novels entitled Il Giallo Mondadori ('Mondadori Yellow . The series consisted almost exclusively of Italian translations of mystery novels by British and American writers, such as Agatha Christie, Ellery Queen, Edgar Wallace, Ed Mc. Bain, Rex Stout and Raymond Chandler. The popularity of these series eventually established the word giallo as a synonym for a mystery novel and in common and media language for a mysterious or unsolved affair. Thus, American, British or other thriller- horrors such as Psycho, Vertigo or Peeping Tom are considered gialli. For English- speaking audiences, the term has come to refer only to a very specific type of Italian- produced thriller, which Italian audiences have historically referred to as .
Many of the typical characteristics of these films were incorporated into the later American slasher genre. Characteristics. Directors and stars often moved between both genres and some films could be considered under either banner, such as Massimo Dallamano's 1. La polizia chiede aiuto (What Have They Done to Your Daughters?). The archetypal giallo plot involves a mysterious, black- gloved psychopathic killer who stalks and butchers a series of beautiful women. Some films (for example Mario Bava's 1. Hatchet for the Honeymoon, which features the killer as the protagonist) may radically alter the traditional structure or abandon it altogether and still be considered gialli due to stylistic or thematic tropes, rather than narrative ones. While most have a nominal mystery structure, they may feature bizarre or nonsensical plot elements and a general disregard for realism in acting, dialogue and character motivation.
Black gloves, sexual ambiguity, and psychoanalytic trauma may be at the heart of each film, but the genre itself is without consistent narrative form. These scenes frequently evoke some degree of voyeurism, sometimes going so far as to present the murder from the first- person perspective of the killer, with the black- gloved hand holding a knife viewed from the killer's point of view. This ambiguity of memory and perception can escalate to delusion, hallucination and delirious paranoia. Since gialli protagonists are typically female, this can lead to what writer Gary Needham calls, . Koven posits that gialli reflect an ambivalence over the social upheaval modernity brought to Italian culture in the 1. Critic Maitland Mc. Donagh describes the visuals of Profondo rosso (Deep Red) as, .
Directors Dario Argento and Mario Bava are particularly known for their impressionistic imagery and use of lurid colors, though other giallo directors (notably Lucio Fulci) employed more sedate, realistic styles as well. Other important composers known for their work on giallo films include Piero Umiliani (composer for Five Dolls for an August Moon), Riz Ortolani (La ragazza dal pigiama giallo . Cain's. The Postman Always Rings Twice, adapted in 1. Luchino Visconti as Ossessione.
Love Is a Gun, Movie, 1994. Pictures provided by: galloper. Love Is a Gun - Amore mortale (Italy) 1987 Chevrolet Caprice. 1984 Chevrolet Caprice Classic. Uno sporco affare (1994) Love Is a Gun - Amore mortale (1994) Bad Company (1995) Gli immortali, regia di Brian Grant (1995). Love is a Gun - Amore mortale, Nessun alibi, Vizio di forma; Angelo Maggi in Vuoto d'aria, Triplo. Italian: Minaccia d'amore / Love Threat) Delitti e profumi (Vittorio.
Condemned by the fascist government, Obsessione was eventually hailed as a landmark of neo- realist cinema, but it did not provoke any further giallo adaptations for almost 2. Despite their link to giallo author Wallace, though, they featured little of the excessive stylization and gore which would define Italian gialli. The Swedish director Arne Mattsson has also been pointed to as a possible influence, in particular his 1. Mannequin in Red. Though the film shares stylistic and narrative similarities with later giallo films (particularly its use of color and its multiple murder plot), there is no direct evidence that subsequent Italian directors had seen it. Though shot in black and white and lacking the lurid violence and sexuality which would define later gialli, the film has been credited with establishing the essential structure of the genre: in it, a young American tourist in Rome witnesses a murder, finds her testimony dismissed by the authorities, and must attempt to uncover the killer's identity herself. Bava drew on the krimi tradition as well as the Hitchcockian style referenced in the title, and the film's structure served as a basic template for many of the gialli that would follow.
It introduced a number of elements that became emblematic of the genre: a masked stalker with a shiny weapon in his black- gloved hand who brutally murders a series of glamorous fashion models. But it was Dario Argento's first feature, in 1. That film, The Bird with the Crystal Plumage, was greatly influenced by Blood and Black Lace, and introduced a new level of stylish violence and suspense that helped redefine the genre. The film was a box office smash and was widely imitated. In 1. 99. 6, director Michele Soavi wrote, .
Mario had grown old and Dario made it his own genre.. In English- language film circles, the term .
The most prolific period, however, was the three- year timespan between 1. Directors like Bava, Argento, Fulci, Lenzi, and Margheriti continued to produce gialli throughout the 7. Sergio Martino, Paolo Cavara, Armando Crispino, Ruggero Deodato and Bava's son Lamberto Bava. The genre also spread to Spain by the early 7. La residencia (The House That Screamed) (1.
Los Ojos Azules de la Muneca Rota (Blue Eyes Of The Broken Doll) (1. Spanish casts and production talent.
Though they preceded the first giallo by a few years, German krimi films continued to be made contemporaneously with early gialli, and were also influenced by their success. As the popularity of krimis declined in Germany, Rialto Film began increasingly pairing with Italian production companies and filmmakers (such as composer Ennio Morricone and director, cinematographer Joe D'Amato, who worked on later krimi films following their successes in Italy). The overlaps between the two movements is strong enough that one of Rialto's final krimi films,Cosa avete fatto a Solange? This cinematic style and unflinching content is also at the root of the gory slasher and splatter films that became widely popular in the early 1.
In particular, two violent shockers from Mario Bava, Hatchet for the Honeymoon (1. Twitch of the Death Nerve (1. Early examples of the giallo effect can be seen in the British film Berserk! Berberian Sound Studio (2. Director Eli Roth has called the giallo .
There's this real ominous creepy feeling. The girls are always going on some trip somewhere and they're all very smart. They all make decisions the audience would make. For Assassin (Angelo Dorigo, 1. Italian: A.. Wardh (Sergio Martino, 1. Italian: Lo strano vizio della Signora Wardh) aka Blade of the Ripper, aka Next!, aka The Next Victim. The Case of the Scorpion's Tail (Sergio Martino, 1.
Italian: La coda dello scorpione / Tail of the Scorpion)Black Belly of the Tarantula (Paolo Cavara, 1. Italian: La tarantola dal ventre nero)The Cat o' Nine Tails (Dario Argento, 1. Italian: Il gatto a nove code) . Anderson. The Devil Has Seven Faces (Osvaldo Civirani, 1. Italian: Il diavolo ha sette facce) aka The Devil with Seven Faces. Jack the Ripper of London (Jos. Castellari, 1. 97.
Italian: Gli occhi freddi della paura) aka Desperate Moments. In the Eye of the Hurricane (Jose Maria Forque, 1. Italian: La volpe dalla coda di velluto / The Fox with the Velvet Tail)The Glass Ceiling (Eloy de la Iglesias, 1. Spanish: El techo de cristal) stars Patty Shepard and Emma Cohen.
The Night Evelyn Came Out of the Grave (Emilio Miraglia, 1. Italian: La notte che Evelyn usc! Grant. The Weapon, the Hour, the Motive (Francesco Mazzei, 1. Italian: L'arma, l'ora, il movente)Nadie oy? Retrieved September 3, 2. Retrieved August 2. La Dolce Morte: Vernacular Cinema and the Italian Giallo Film.
Retrieved August 2. Retrieved 3. 0 March 2. YOUR INTRODUCTION TO GIALLO FEVER! Retrieved 3. 0 March 2. La Dolce Morte: Vernacular Cinema and the Italian Giallo Film. Retrieved September 3, 2. Necronomicon: The Journal of Horror and Erotic Cinema.
La Dolce Morte: Vernacular Cinema and the Italian Giallo Film. Retrieved September 3, 2. La Dolce Morte: Vernacular Cinema and the Italian Giallo Film. Euro Horror: Classic European Horror Cinema in Contemporary American Culture (New Directions in National Cinemas).
Indiana University Press. La Dolce Morte: Vernacular Cinema and the Italian Giallo Film.
Broken Mirrors/Broken Minds: The Dark Dreams of Dario Argento. University of Minnesota Press. Dario Argento: il brivido, il sangue, il thrilling. The History of Swedish Horror Films. Retrieved September 3, 2. Going to Pieces: The Rise and Fall of the Slasher Film, 1. Blood and Black Lace DVD, Image Entertainment, 2.
ASIN: B0. 00. BB1. Mc. Donagh, Maitland (March 2. Broken Mirrors/Broken Minds: The Dark Dreams of Dario Argento. University of Minnesota Press.
In Palmerini, Luca M.; Mistretta, Gaetano. Going to Pieces: The Rise and Fall of the Slasher Film, 1. The slasher movie book. Watch: Eli Roth Talks Giallo- Inspired 'House with the Laughing Windows' (Video Short).
Thompson on Hollywood. Retrieved 2. 5 March 2. Eli Roth Presents The Best Horror Movies You've Never Seen. Interview with Joe Utichi. The Horror Film: An Introduction. Sources. External links.
Eric Roberts - Wikipedia. Da Wikipedia, l'enciclopedia libera. Eric Roberts (Biloxi, 1.
Il nonno materno era il celebre giocatore di football Wendell John Bredemus (1. Fratello maggiore della celebre Julia Roberts e Lisa Roberts Gillan, nonch. A 1. 7 anni si trasferisce a Londra per studiare recitazione presso la Royal Academy of Dramatic Arts.
Due anni dopo ritorna negli Stati Uniti per concludere gli studi all'American Academy of Dramatic Arts. Nel 1. 97. 6 debutta a teatro con Rebel Woman.
In seguito recita al fianco di Glenn Close e Shirley Knight in Un tram che si chiama Desiderio. La sua fortuna . Dalla televisione al cinema il passo . Nel 1. 97. 8 partecipa al film Il re degli zingari, si aggiudica una nomination ai Golden Globe e agli Oscar per i rispettivi film Star 8.
A 3. 0 secondi dalla fine, affianca Johnny Depp nel film tv Slow Burn e nel 1. Julia Roberts in Legami di sangue. Negli anni seguenti, causa anche una vita alquanto dissoluta (dovuta anche ad abuso di droghe), si deve accontentare di ruoli che non sempre gli rendono giustizia o di partecipare a film per il cinema indipendente dove tuttora .
Nel 1. 99. 2 partecipa al film Analisi finale, in seguito ricopre ruoli in Lo specialista e Il rompiscatole. Brightside e Miss Atomic Bomb dei The Killers e in We Belong Together e It's Like That di Mariah Carey, ha fatto un'apparizione nel video Smack That di Akon e Eminem, inoltre .
Nel 1. 99. 6 interpreta il ruolo de Il Maestro, acerrimo nemico del Dottore nel film per la televisione Doctor Who. Tra il 2. 00. 2 e il 2. Perfetti.. Nel 2. Tom Di Maggio nella serie televisiva italiana L'onore e il rispetto. Nel 2. 01. 4 inoltre entra a far parte del cast di Suits, dove interpreta Charles Forstman, un imprenditore miliardario. Sempre nel 2. 01.
Patrik Messina nel film Leaves of the tree, diretto da Ante Novakovic e girato quasi interamente in Italia a Castellammare del Golfo. Nel 2. 01. 5 ha partecipato alla quindicesima ed ultima stagione di CSI - Scena del crimine.
Il re degli zingari (King of the Gypsies), regia di Frank Pierson (1. Lontano dal passato (Raggedy Man), regia di Jack Fisk (1. Star 8. 0, regia di Bob Fosse (1. Il Papa del Greenwich Village (The Pope of Greenwich Village), regia di Stuart Rosenberg (1. Coca Cola Kid, regia di Du. De. Mented), regia di John Waters (2.
Mercy streets (2. Vuoto d'aria (Mindstorm), regia di Richard Pepin (2. Raptor, regia di Jim Wynorski (2. Spun, regia di Jonas .